The 2011 collection reads like an anthology of confessions. Each piece is compact, designed for a commute or the private dark of a bedroom. Yet within minutes you are transported — to a train station where two strangers exchange glances as if they could trade lives; to a seaside bungalow where a pair of hands relearn one another; to a temple courtyard where an elderly woman revisits a youthful choice and finds, under the noise of bells, a different kind of heat. The narratives do not parade explicitness for shock; they unfold intimacy as weather, slow and inevitable: humidity that clings, wind that rearranges hair, a sudden bright sun.